Page namespace (page_namespace) | 0 |
Page title (without namespace) (page_title) | 'Meal And Real' |
Full page title (page_prefixedtitle) | 'Meal And Real' |
Old content model (old_content_model) | '' |
New content model (new_content_model) | 'wikitext' |
Old page wikitext, before the edit (old_wikitext) | '' |
New page wikitext, after the edit (new_wikitext) | 'Recognized classic of American cinema, screenwriter and director Billy Wilder simply could hardly help but touch on the stock market with the American media system. Inviting the gorgeous Kirk Douglas and creating another striking, unique image of the imposing correspondent, Wilder is filming a grandiose, emotional, ironic and pressing film performance.<br><br>The selfish unscrupulousness in the modern American press appears such as a collective picture of an authentic master from the pen, trying to understand his irrepressible ambitions, who have devoted his life for [https://sites.google.com/view/fmovies-2021-official-site/ fmovies app] the search for unique material. With sparkling eyes and without having a shadow of doubt, he fearlessly walks from the dilapidated mine, to become the earliest to obtain a date with all the one nobody can'win'him the Pulitzer Prize - while using unfortunate miner, imprisoned by the will of fate inside of a cramped opening relating to the fallen stones.<br><br>Taking charge of the situation, subjugating the flow of information, turning the reportage right into a national tragedy - for this sort of person nothing is impossible in relation to the objective of his life. As appears to be ancient prophet, he broadcasts in to the recorder the truth that his very own vanity demands of him.<br><br>Like bees flocking to sugar syrup, a group of afflicted people strives to go to an exceptional attraction. Theater, baseball, cinema - no! Your dream for life-long is the perfect show with the unpredictable ending. The present day collision, containing opened its arena in the very center of prosperous America, is becoming for lots of people power from a humdrum, routine existence. Carousels, stalls with hot dogs, sun loungers against the setting of rescue equipment - a persons drama inevitably develops in a booth<br><br>Delicately mocking the crowd, Billy Wilder generally seems to plunge the common American into his or her own ignorance, simultaneously explaining to him be simple truths with the monstrosity of such an attitude to human tragedy, reproaching him for idle curiosity, passive compassion, and predictable reactions to the clever and timely steps of a vain correspondent.<br><br>With regards to the center of events, the hero of Kirk Douglas unwittingly involves himself while in the roughest confrontation - confrontation with himself. The invisible scales of conscience, once frozen at the degree of pathological egocentrism that outweighed decency, continue to slowly hesitate when legitimate the bitter fate of a genuine worker, with his ungrateful passion, with a form, naive old man, father and unhappy mother. Ultimately, he can no longer cope together with the sincere compassion containing awakened in him. And more importantly, to what for so very long and persistently led his hero Billy Wilder, that is obvious from the beginning - he needs to understand into what insignificance he turned himself over these long years, that no power and money can be put above human life.' |
