Editing Interpersonal Media (Winter 2021)

From CommunityData

Warning: You are not logged in. Your IP address will be publicly visible if you make any edits. If you log in or create an account, your edits will be attributed to your username, along with other benefits.

The edit can be undone. Please check the comparison below to verify that this is what you want to do, and then publish the changes below to finish undoing the edit.

Latest revision Your text
Line 311: Line 311:
==== Community Identification====
==== Community Identification====
;Maximum Length: 300 words (~1 page double spaced)
;Maximum Length: 300 words (~1 page double spaced)
;Deliverables: Turn in [https://canvas.uw.edu/courses/1451125/assignments/5945147 through Canvas]
;Deliverables: Turn in [https://canvas.uw.edu/courses/1451125/assignments/5659118 through Canvas]
;Due Date: Friday February 26
;Due Date: Friday February 26


Line 323: Line 323:


==== Final Projects: Critical Analysis of Online Community ====
==== Final Projects: Critical Analysis of Online Community ====
;Final Presentation Date: March 10
;Final Presentation Date: March 15 and 17
;Paper Due Date: March 18 @ 11:59pm
;Paper Due Date: March 19 @ 11:59pm
;Maximum paper length: 2,000 words (~8 pages double spaced)
;Maximum paper length: 2,000 words (~8 pages double spaced)
;Deliverables:  
;Deliverables:  
:*Details on final presentations including due dates, instructions, and dropboxes are on [[Interpersonal Media (Winter 2021)/Final presentation]]
:*Details on final presentations including due dates, instructions, and dropboxes are on [[Interpersonal Media (Winter 2021)/Final presentation]]
:*Turn in copy of paper [https://canvas.uw.edu/courses/1451125/assignments/5945150 in Canvas]
:*Turn in copy of paper [https://canvas.uw.edu/courses/1451125/assignments/5659119 in Canvas]


For your final project, I expect students to build on the community identification assignment to describe what they have done and what they have found. I'll expect every student to give both:
For your final project, I expect students to build on the community identification assignment to describe what they have done and what they have found. I'll expect every student to give both:
Line 339: Line 339:
You will be evaluated on the degree to which you have demonstrated that you understand and have engaged with the course material and not on specifics of your community. I want you to reflect on what parts of theory we covered apply or do not. What does the community do right according to what you've learned? What might it do differently in the future based on what you've read? What did the course and readings not teach that they should have?
You will be evaluated on the degree to which you have demonstrated that you understand and have engaged with the course material and not on specifics of your community. I want you to reflect on what parts of theory we covered apply or do not. What does the community do right according to what you've learned? What might it do differently in the future based on what you've read? What did the course and readings not teach that they should have?


A successful project will tell a compelling story and will engage with, and improve upon, the course material to teach an audience that includes me, your classmates, and students taking this class in future years, how to take advantage of online communities more effectively. The very best papers will give us all a new understanding of some aspect of course material and change the way I teach some portion of this course in the future.
A successful project will tell a compelling story and will engage with, and improve upon, the course material to teach an audience that includes me, your classmates, and students taking this class in future years, how to take advantage of online communities more effectively. The very best papers will give us all a new understanding of some aspect of course material and change the way I teach some portion of this course in the future.
 
See the [[User:Groceryheist/Assessment|writing rubric]] for details on my expectations in terms of the content of the papers.


=== Grading ===
=== Grading ===
Line 725: Line 723:
* [Case] Allio, Robert J. 2004. “CEO Interview: The InnoCentive Model of Open Innovation.” Strategy & Leadership 32 (4): 4–9. https://doi.org/10.1108/10878570410547643. {{avail-uw|https://doi.org/10.1108/10878570410547643}}
* [Case] Allio, Robert J. 2004. “CEO Interview: The InnoCentive Model of Open Innovation.” Strategy & Leadership 32 (4): 4–9. https://doi.org/10.1108/10878570410547643. {{avail-uw|https://doi.org/10.1108/10878570410547643}}
* [Case] Spend some time poking around the [https://www.innocentive.com/ Innocentive website], in particular, read the:
* [Case] Spend some time poking around the [https://www.innocentive.com/ Innocentive website], in particular, read the:
** [https://support.wazoku.com/hc/en-us/categories/360001771617-InnoCentive Innocentive Seeker and Solver FAQ]
** [https://www.innocentive.com/offering-overview/seeker-faqs/ Innocentive Seeker FAQs]
** [https://www.innocentive.com/our-solvers/faqs/ Innocentive Solver FAQ] — A number of the questions toward the top are the same as the FAQ above so you can skip those!


=== February 24 (Wednesday): Hackers ===
=== February 24 (Wednesday): Hackers ===
Line 744: Line 743:
'''Required Readings:'''
'''Required Readings:'''


* Rosenbaum, Ron. 1971. “Secrets of the Little Blue Box.” Esquire Magazine, October, 116. https://classic.esquire.com/article/1971/10/1/secrets-of-the-blue-box.  {{avail-free|https://labyrinth13.com/SecretsOfTheLittleBlueBox.pdf}}
* Rosenbaum, Ron. 1971. “Secrets of the Little Blue Box.” Esquire Magazine, October, 116. https://classic.esquire.com/article/1971/10/1/secrets-of-the-blue-box.  {{avail-free|https://classic.esquire.com/article/1971/10/1/secrets-of-the-blue-box}}
* [Case] Wayner, Peter. 2010. “Tweaking a Camera to Suit a Hobby.” The New York Times, May 26, 2010, sec. Technology / Personal Tech. http://www.nytimes.com/2010/05/27/technology/personaltech/27basics.html. {{avail-free|http://www.nytimes.com/2010/05/27/technology/personaltech/27basics.html}} {{avail-free|http://www.slate.com/articles/technology/the_spectator/2011/10/the_article_that_inspired_steve_jobs_secrets_of_the_little_blue_.single.html}}
* [Case] Wayner, Peter. 2010. “Tweaking a Camera to Suit a Hobby.” The New York Times, May 26, 2010, sec. Technology / Personal Tech. http://www.nytimes.com/2010/05/27/technology/personaltech/27basics.html. {{avail-free|http://www.nytimes.com/2010/05/27/technology/personaltech/27basics.html}} {{avail-free|http://www.slate.com/articles/technology/the_spectator/2011/10/the_article_that_inspired_steve_jobs_secrets_of_the_little_blue_.single.html}}
* [Case] C.H.D.K. Wiki Take a look at the [Home page https://chdk.fandom.com/wiki/CHDK] and explore the Wiki to get a good idea of what this community is about, what they do, and how it works.
* [Case] C.H.D.K. Wiki Take a look at the [Home page https://chdk.fandom.com/wiki/CHDK] and explore the Wiki to get a good idea of what this community is about, what they do, and how it works.
Line 762: Line 761:
'''Guests:'''
'''Guests:'''


[https://journalism.utexas.edu/faculty/jo-lukito Josephine Lukito]. Assistant professor in the School of Journalism and Media at the University of Texas at Austin.  
[https://journalism.utexas.edu/faculty/jo-lukito Josephine Lukito]. Professor in the School of Journalism and Media at the University of Texas at Austin.  


'''Lectures:'''  (watch ''before'' class)
'''Lectures:'''  (watch ''before'' class)
 
[TO COME]
[https://utexas.app.box.com/s/q2f1unsnbhssi3ok0dmx1ai9fyqgo0mj Josephine's video lecture]


''' Resources:'''
''' Resources:'''
* [https://canvas.uw.edu/files/74247377/download?download_frd=1 Week 9 Reading Note] (Requires Canvas access)
* [https://canvas.uw.edu/courses/1451125/files/folder/Reading%20Notes?preview=70274596 Week 9 Reading Note] (Requires Canvas access)
* Case Boards (Requires Canvas access, to come)
* Case Boards (Requires Canvas access, to come)
* Class/Case Screencast (Requires Canvas access, to come)
* Class/Case Screencast (Requires Canvas access, to come)
Line 792: Line 790:
'''Lectures:'''  (watch ''before'' class)
'''Lectures:'''  (watch ''before'' class)


* [https://uw.hosted.panopto.com/Panopto/Pages/Viewer.aspx?id=9595d5b0-97ab-4377-9368-aca5015ee574 Ecology of Online Communities] [52m54s]
* [https://uw.hosted.panopto.com/Panopto/Pages/Viewer.aspx?id=bbd560a5-78e3-462b-ad31-ac770079091b Ecology of Online Communities] [52m54s]


'''Resources:'''
'''Resources:'''


* [https://canvas.uw.edu/files/74247377/download?download_frd=1 Week 9 Reading Note] (Requires Canvas access)
* [https://canvas.uw.edu/courses/1451125/files/folder/Reading%20Notes?preview=70274596 Week 9 Reading Note] (Requires Canvas access)
* [https://canvas.uw.edu/files/71657655/download?download_frd=1 Lecture Slides] (Requires Canvas access)
* Nathan TeBlunthuis' [https://canvas.uw.edu/courses/1451125/files/folder/Slides?preview=70290434 Lecture Slides] (Requires Canvas access)
* Case Boards (Requires Canvas access, to come)
* Case Boards (Requires Canvas access, to come)
* Class/Case Screencast (Requires Canvas access, to come)
* Class/Case Screencast (Requires Canvas access, to come)
Line 826: Line 824:
'''Resources:'''
'''Resources:'''


* [https://canvas.uw.edu/files/74312015/download?download_frd=1 Week 10 Reading Note] (Requires UW Access)
* [https://canvas.uw.edu/files/70572182/download?download_frd=1 Week 10 Reading Note] (Requires UW Access)


'''Lectures:'''  (watch ''before'' class)
'''Lectures:'''  (watch ''before'' class)


* [https://uw.hosted.panopto.com/Panopto/Pages/Viewer.aspx?id=df154657-da13-4bb5-8d32-aca5015f25bc Understanding Online Community Founders (Part 1/3): Introduction] [6m37s]
* [https://uw.hosted.panopto.com/Panopto/Pages/Viewer.aspx?id=36dbc1f8-b8f8-4597-bc09-ac7e007409c9 Understanding Online Community Founders (Part 1/3): Introduction] [6m37s]
* [https://uw.hosted.panopto.com/Panopto/Pages/Viewer.aspx?id=94867d7e-faad-432f-8403-aca5015f24f7 Understanding Online Community Founders (Part 2/3): Introduction] [23m38s]
* [https://uw.hosted.panopto.com/Panopto/Pages/Viewer.aspx?id=5a22b9a9-bb96-4d59-8695-ac7e007409e7 Understanding Online Community Founders (Part 2/3): Introduction] [23m38s]
* [https://uw.hosted.panopto.com/Panopto/Pages/Viewer.aspx?id=2f8a1666-3c4f-422d-a85d-aca5015f2476 Understanding Online Community Founders (Part 3/3): Introduction] [10m17s]
* [https://uw.hosted.panopto.com/Panopto/Pages/Viewer.aspx?id=74381b39-c782-4525-98a3-ac7e00740a16 Understanding Online Community Founders (Part 3/3): Introduction] [10m17s]


'''Required Readings'''
'''Required Readings'''
Line 840: Line 838:
* [Case] Foote, J., & Contractor, N. (2018). The behavior and network position of peer production founders. In G. Chowdhury, J. McLeod, V. Gillet, & P. Willett (Eds.), ''iConference 2018: Transforming Digital Worlds'' (pp. 99–106). Springer. {{avail-free|https://jeremydfoote.com/files/foote_behavior_2018.pdf}}.
* [Case] Foote, J., & Contractor, N. (2018). The behavior and network position of peer production founders. In G. Chowdhury, J. McLeod, V. Gillet, & P. Willett (Eds.), ''iConference 2018: Transforming Digital Worlds'' (pp. 99–106). Springer. {{avail-free|https://jeremydfoote.com/files/foote_behavior_2018.pdf}}.


=== March 10 (Wednesday): Final Presentations ===
=== March 10 (Wednesday): Creative Collaboration {{tentative}} ===
See instructions here: [[Interpersonal_Media_(Winter_2021)/Final_presentation]].
 
'''Required Readings:'''
 
* Lessig, Lawrence. Remix: Making Art and Commerce Thrive in the Hybrid Economy. Penguin Press HC, 2008. (Introduction) [[https://archive.org/stream/LawrenceLessigRemix/Remix-o.txt Free Online]]
* [Case] Hill, Benjamin Mako, and Andrés Monroy-Hernández. “The Remixing Dilemma The Trade-Off Between Generativity and Originality.” American Behavioral Scientist 57, no. 5 (May 1, 2013): 643–663. [[http://dx.doi.org/10.1177/0002764212469359 Available through UW Libraries]] [[https://mako.cc/academic/hill_monroy-remixing_dilemma-DRAFT.pdf Free Preprint]]
* [Case] Buechley, Leah, and Benjamin Mako Hill. Lilly Pad in the Wild: How Hardwareʼs Long Tail is Supporting New Engineering and Design Communities, DIS 2010. [[http://mako.cc/academic/buechley_hill_DIS_10.pdf Free Preprint]]
* [Case] [https://www.youtube.com/watch?v=L4a89n4ZJ5w Examples of Lilypad Projects] (Youtube Video)
 
'''Optional Readings:'''
 
* Sinnreich, Aram. Mashed Up: Music, Technology, and the Rise of Configurable Culture. University of Massachusetts Press, 2010. (Excerpts) [Forthcoming in Canvas]
* Vaidhyanathan, Siva. Copyrights and Copywrongs: The Rise of Intellectual Property and How It Threatens Creativity. New York: New York University Press, 2001. [Available from Instructor]
 
 
'''Required Readings:'''
 
* [https://en.wikipedia.org/wiki/Bulletin_board_system Bulletin board system article on Wikipedia].
* [Case] Hafner, K. (1997). [http://www.wired.com/wired/archive/5.05/ff_well_pr.html The epic saga of the WELL].
* [Case] Turner, F. (2005). [http://muse.jhu.edu/journals/technology_and_culture/v046/46.3turner.html Where the counterculture met the new economy: The WELL and the origins of virtual community].
 
'''Optional Readings:'''
 
This link is missing
* Hauben, Michael, Ronda Hauben, and Thomas Truscott. (1997) Netizens: On the History and Impact of Usenet and the Internet. Los Alamitos, Calif: Wiley-IEEE Computer Society Press. [[http://pear.accc.uic.edu/ojs/index.php/fm/article/view/608/529 Chapter 2] and [http://pear.accc.uic.edu/ojs/index.php/fm/article/view/609/530 Chapter 3]]
 
'''Optional Video:'''
 
* Stanford 2011 symposium: [http://www.youtube.com/watch?v=B5kQYWLtW3Y From Counterculture to Cyberculture: the Legacy of the Whole Earth Catalog]
 
 
-->
 
=== March 15 (Monday): Final Poster Presentations ===
<!--
'''Resources:'''
 
* [https://en.wikipedia.org/wiki/Wikipedia_talk:Wiki_Ed/University_of_Washington/Interpersonal_Media_%28%29 Presentation Sign-up/Schedule]
* [https://canvas.uw.edu/courses/1451125/assignments/2953943 Presentation Slides Dropbox in Canvas] — Slides are optional but recommended and are due by '''1:30pm before class'''. If you turn in your slides after 1:30pm, I will not have time to put them into the line-up for class.
 
'''Resources:'''
 
* [[Interpersonal Media (Winter 2020)/Poster sessions|Details on the Poster sessions]] including due dates/times, instructions, and so on.
* The poster content should be an overview and preview of your final project. Details on the expectations for the final project are on [[Interpersonal_Media_(Winter_2020)#Final_Projects:_Critical_Analysis_of_Online_Community|the relevant section of the syllabus]].
 
-->
 
'''No readings.''' The final classes will be devoted entirely to final presentations.
 
=== March 17 (Wednesday): Final Poster Presentations ===
<!--
 
'''Resources:'''
* [https://en.wikipedia.org/wiki/Wikipedia_talk:Wiki_Ed/University_of_Washington/Interpersonal_Media_%28%29 Presentation Sign-up/Schedule]
* [https://canvas.uw.edu/courses/1451125/assignments/2953943 Presentation Slides Dropbox in Canvas] — Slides are optional but recommended and are due by '''1:30pm before class'''. If you turn in your slides after 1:30pm, I will not have time to put them into the line-up for class.
 
 
'''Resources:'''
 
* [[Interpersonal Media (Winter 2020)/Poster sessions|Details on the Poster sessions]] including due dates/times, instructions, and so on.
* The poster content should be an overview and preview of your final project. Details on the expectations for the final project are on [[Interpersonal_Media_(Winter_2020)#Final_Projects:_Critical_Analysis_of_Online_Community|the relevant section of the syllabus]].
 
-->
 
'''No readings.''' The final classes will be devoted entirely to presentations.


=== March 18 (Thursday): DUE: Final Projects ===
=== March 18 (Thursday): DUE: Final Projects ===
Please note that all contributions to CommunityData are considered to be released under the Attribution-Share Alike 3.0 Unported (see CommunityData:Copyrights for details). If you do not want your writing to be edited mercilessly and redistributed at will, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource. Do not submit copyrighted work without permission!

To protect the wiki against automated edit spam, we kindly ask you to solve the following CAPTCHA:

Cancel Editing help (opens in new window)